

Guess I'm joining the trend of using toned paper! I very much enjoyed using it... even though I was kicking myself for over-working the leg, as well as thinning down the model's loose arm so much that it looks like a macaroni noodle, but that's why we do these things right?... Live and learn. Also got some new FW inks so I was just playing around with 'em... this very sketchy unicorn is the first thing I did (other than some color squares) and the colors are from different mixes of indigo and scarlet ink. The best way apparently is not to mix them first but to use light layers to achieve the colors desired (they seem to look fairly different when wet from dry.)
Lifedrawing and new FW inks
Labels: abigail zed ryder , FW inks , Life Drawing , toned papers
Nifty new sketchbook!
After seeing some of the examples of drawing on toned paper by Mike and Jennifer, I acquired a Utrecht 11x14 'oatmeal' paged sketchbook.
Practiced on copying some Master drawings at the retreat last weekend. This one after Hans Holbein (who drew fascinatingly 'real' looking figures from the court of King Henry VIII. Most of them somewhat homely and decidedly *not* idealized). Great fun.
Labels: sketchbook , Tara Larsen Chang , toned papers
Reclining nude on toned paper

One of my favorite methods of doing figure drawings is on a toned paper with white prismacolor or conte crayons, and a brown or sepia pencil. I did this one on a pad called "Bogus sketch" (weird name for a sketch pad, eh?) from Sam Flax, but if you can't find something similar in your area then the inside of a paper grocery bag works just as well.
The drawing was done at a private figure drawing class in neighboring Winter Park, Florida. I was asked later by someone if her head is a bit small; no, those are really her proportions. She held her poses beautifully and was a wonderful model to sketch from!
Labels: figure drawing , Jennifer Gwynne Oliver , nude , toned papers